I don't know whether I'm being contentious here - as everybody seems to go for the small lightbox setup rather than this, but it works for me. It's flexible & if you need to get even closer, then fully-electronic extension tubes are very cheap. I actually spread my budget between lens & lighting & went for the Tamron AF 70-300mm F/4-5.6 Di LD MACRO 1:2 Though it's not the sharpest lens in the world it does display low chromatic aberration, even compared to one of my more expensive Nikkors. I assume the 5300 would be the same.Īlternatively, you're in for a short lens, a lightbox & a lot of post pro doing the focus stacking, then washing out the background. My D5500 can't do 'modelling lights' at half-press using a speedlight setup, hence the continuous lighting. That way there's more than enough light for the lens to be quick to focus. To overcome any slow lens issues, I went with 2 continuous lights for my subject & 2 speedlights for the background, all with large diffusers/softboxes. Weve compiled all the best macro lenses in this guide, for a huge range of systems Canon (EF and RF), Nikon (F and Z), Sony, Pentax, Fujifilm and Micro Four Thirds. Shoot the same thing on a 40mm & you'd need a 10ft square backdrop & it would still be too noticeable unless it was a very flatly-lit surface, or you always blow-out to white. The advantage here of a long lens is the background can be relatively small. That means you need two sets of light sources, one for the subject & another for the background, so you can vary the light balance between easily. If you want your product crisp but your background to completely blur out, then you're looking at maybe 5ft to subject + 10 ft to background. You also don't need a 2.8 - you can use a much slower lens, as you can throw as much light into the scene as you need. These kinds of shots are beautiful and simple once you get the hang of them.I'd really say you need a longer lens if you want greater depth of field & avoid focus-stacking. If you have two flashes and are able to get them off camera, adding a kicker light can really help add to some scenes, especially when dealing with reflective or opaque surfaces.Īdding kicker light to glass or to mirrors makes your scene match the sparkle of the diamonds.Īlternatively, kicker light can also make opaque material glow or make falling water in the background sparkle. When the brides flowers have wilted or just aren't very pretty, look for other wedding props that you can use instead that have some interesting element to them. Depending on how much light your dealing with, you may find it easier to switch into manual focus mode. Pick out a portion of the bouquet that has an interesting element to it and place the rings among the flowers. I also usually like to eliminate ambient light so I start with the following settings and adjust as needed.Ĭamera Settings: F 11, ISO 100, shutter 1/250th In general, I want to make sure the diamonds and details of the rings are all in focus. I often have my camera brushing up against the edge of the umbrella. To get soft, even light on your subject, put your flash and diffuser as close to rings as possible without getting them in your shot. Here's your basic set up for a single light ring picture. However, some flowers wilt throughout the day so getting creative with settings might be a better choice. For some examples I show, I used two flashes to help add some pizazz to the pictures.Īn Umbrella or some other diffuser - Casting soft even light makes a huge difference when trying to capture the detail of the rings without having harsh shadows.Ī pretty setting - A brides bouquet is usually an easy and beautiful place to put the rings. Since I shoot Canon, my first choice is the 100mm f2.8 macro.Īt least 1 flash- It really helps if you have the ability to keep your flash off camera, but if needed, you can get away with an on camera flash. It really helps your shots if you can zoom in nice and close to capture the detail of the rings while eliminating distracting background. Macro Lens- Rings are, in general, very small and full of detail. To get a beautiful ring shot, all you need are these four things:
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |